Here’s Why You Should Convert Your Music To 432 Hz

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“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” – Nikola Tesla

What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter.” – Albert Einstein

Tesla said it. Einstein Agreed. Science proved it. It is a known fact that everything—including our own bodies—is made up of energy vibrating at different frequencies. That being said, can sound frequencies affect us? They sure can. Frequencies affect frequencies; much like mixing ingredients with other ingredients affects the overall flavor of a meal. The way frequencies affect the physical world has been demonstrated through various experiments such as the science of Cymatics and water memory.

The science of Cymatics illustrates that when sound frequencies move through a particular medium such as water, air or sand, it directly alters the vibration of matter. Below are pictures demonstrating how particles adjust to different frequencies. (Click here to watch a video demonstrating the patterns of sound frequencies)

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Water memory also illustrates how our own intentions can even alter the material world. This has been demonstrated by Dr. Masaru Emoto, who has performed studies showing how simple intentions through sound, emotions and thoughts can dramatically shape the way water crystallizes. 


 

Water-Memory

We all hold a certain vibrational frequency, not to mention our bodies are estimated to be about 70% water… so we can probably expect that musical frequencies can alter our own vibrational state. Some may call this ‘pseudoscience,’ however the science and patterns shown above don’t lie. Every expression through sound, emotion or thought holds a specific frequency which influences everything around it—much like a single drop of water can create a larger ripple effect in a large body of water.

MUSIC FREQUENCY

With this concept in mind, let us bring our attention to the frequency of the music we listen to. Most music worldwide has been tuned to A=440 Hz since the International Standards Organization (ISO) promoted it in 1953. However, studies regarding the vibratory nature of the universe indicate that this pitch is disharmonious with the natural resonance of nature and may generate negative effects on human behaviour and consciousness. Certain theories even suggest that the nazi regime has been in favor of adopting this pitch as standard after conducting scientific researches to determine which range of frequencies best induce fear and aggression. Whether or not the conspiracy is factual, interesting studies and observations have pointed towards the benefits of tuning music to A=432 Hz instead.

432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity and magnetism with biology, the DNA code and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. The number 432 is also reflected in ratios of the Sun, Earth, and the moon as well as the precession of the equinoxes, the Great Pyramid of Egypt, Stonehenge, the Sri Yantra among many other sacred sites.

“From my own observations, some of the harmonic overtone partials of A=432hz 12T5 appear to line up to natural patterns and also the resonance of solitons. Solitons need a specific range to form into the realm of density and span from the micro to the macro cosmos. Solitons are not only found in water mechanics, but also in the ion-acoustic breath between electrons and protons.” – Brian T. Collins

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Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum while the A=440 Hz is off.

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“The Solar Spectrum & The Cosmic Keyboard:

All of the frequencies in the spectrum are related in octaves, from gamma rays to subharmonics. These colors and notes are also related to our Chakras and other important energy centers. If we are to understand that (…) Chakras are connected to the Seven Rays of the Solar Spectrum, then the notes and frequencies we use for the same should be the same. A432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern ‘standard.’ It places C# at 136.10 Hz ‘Om,’ which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us ‘It comes from nature.’” – Dameon Keller

Let’s explore the experiential difference between A=440 Hz and A=432 Hz. The noticeable difference music lovers and musicians have noticed with music tuned in A=432 Hz is that it is not only more beautiful and harmonious to the ears, but it also induces a more inward experience that is felt inside the body at the spine and heart. Music tuned in A=440 Hz was felt as a more outward and mental experience, and was felt at the side of the head which projected outwards. Audiophiles have also stated that A=432hz music seems to be non-local and can fill an entire room, whereas A=440hz can be perceived as directional or linear in sound propagation.

“The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz – and for a good reason. There are plenty of music examples on the internet that you can listen to, in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up to body. This is because 440 Hz is out of tune with both macrocosmos and microcosmos. 432 Hz on the contrary is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our puls (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90.” – innergarden.org“The overall sound difference was noticeable, the 432 version sounding warmer, clearer and instantly sounded more listenable but the 440 version felt tighter, with more aggressive energy.” –Anonymous guitarist

The video below was created by someone with no preference or

The video below was created by someone with no preference or opinion on whether A=432 Hz or A=440 Hz is better. Therefore, the way both versions of the melody is played is unbiased. It is up to us to tune in and feel which one feels more harmonious to us!

Here’s another example:
David Helpling – Sticks and Stones in 440 hz:http://youtu.be/PewsS9Y9pVo
David Helpling – Sticks and Stones in 432 hz:http://youtu.be/w8KEVikJMck

I personally have enjoyed many bands, artists and styles of music even though they were tuning in A=440 hz, however by comparing a few songs in both A=432 hz and A=440 hz, I can feel and hear the difference. I wouldn’t say that my experience of 440hz music has turned me into an aggressive person, but I can understand how an entire population being exposed to music that is more mind directed as opposed to heart directed—not to mention all of the materialistic and ego-driven lyrics in most popular music—is a perfect combination to maintain a more discordant frequency and state of consciousness within humanity.

“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz” – Rudolph Steiner

I cannot state with complete certainty that every idea suggested in this article is 100% accurate, nor am I an expert on the subject. For this reason, I suggest that we each do our own research on the matter with an open yet discerning mind if we are looking for scientific validation. However, we all possess intuition and the ability to observe without judgment—which can be just as valuable (if not more) as filling our heads with external data and even scientific concepts. It is therefore up to us to tone down the urge to jump to conclusions and instead EXPERIENCE the difference between A=440 Hz and A=432 Hz. To do so, we need to listen with our entire body and a neutral awareness as opposed to with our mental ideas, judgments and preconceptions. Let me know which frequency resonates more with you!

Source: http://educateinspirechange.org/science-technology/heres-convert-music-432-hz/

Secrets In Plain Sight – Macrocosmic Harmony

The best temples serve as bridges between human scale and the macrocosm. When Beverly Spicer sent me the following image, something clicked and I understood the human body, the Sphinx and the Pyramids in a new way. I’m not sure which book this black-and-white geometric analysis of Pharaoh Rameses II was scanned from—it appears to be mirrored all over the Internet.

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The nemes headcloth has distinctive, straight-edged folds, which imply an intersection point above the head. Nested equilateral triangles locate the pharaoh’s third eye appropriately as an all-seeing-eye in the center of the triangle (like the eye of providence on the dollar bill).

That reminds me of an image I made recently. Here is essentially what I wrote about it on Facebook:

Beauty is experienced in the world, love in the body, and truth in the mind. The eye of horus in the center symbolizes the view of any observer. The transcendentals are ontologically one and thus they are convertible: e.g., where there is truth, there is beauty and love also. The transcendentals are irreducible qualities of awareness. The circle represents the seeming boundary between your interior sensations, thoughts, and perceptions and your exterior body, mind, and world.

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Just as the transcendental qualities of awareness (love, beauty, truth) are ontologically one, so too are the trinity of data types you experience. How far from your awareness are your sensations, perceptions or thoughts? Examine your experience and you will see that there is no distance.

Do the thoughts running through your mind take place in a fundamentally different place than the sensations of your body or your perceptions of the world? They are all convertible because all this data is experienced by awareness and yet we have no trouble identifying which channel the information flows through. There is a fundamental and irreducible trinity to awareness.

I now see this ontological trinity as the fountainhead of relationships such as Isis/Horus/Osiris, Mary/Jesus/Holy-Spirit, and even Neutron/Proton/Electron.

Following a hunch I wanted to see if the Sphinx’s nemes followed the same pattern. I discovered that the pattern is similar but is also subtly different. The Sphinx’s nemes doesn’t imply nested triangles but the uraeus symbolizing the pharaoh’s pineal gland is located in the center of the vesica piscis as indicated by the crossed red lines. Incidentally, I described how to draw this image step-by-step in the latest installment of my Photoshop User Magazine column, Beyond Photoshop.

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Zooming out, the G2 pyramid also appears to fit the pattern.

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It clicked for me when I realized that the geometric template for the Sphinx is the same as the geometric template for the Great Pyramid that I published in my book Quantification. The edge of the inscribed equilateral triangle measures 555.5 feet in the Great Pyramid.

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In this way the House of the Temple (it was never a tomb) is a macrocosm of the Body carved on the Sphinx. Zooming out once again, the Engraved Hourglass Nebula is a macrocosm of that House. As above, so below.

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The above image wonderfully illustrates Mircea Eliade’s homology, Body—House—Cosmos, from his book “The Sacred and the Profane” (1959).

A big synchronicity for me is that I learned about this three-level holographic homology not from reading Eliade but from reading Beverly Spicer’s excellent book and PhD thesis from the School of Architecture at the University of Texas called, “The Ka’bah: Rhythms of Culture, Faith and Physiology,” which she was kind enough to send me. Remember Beverly was the person who sent me the black-and-white Rameses II image? That whole sequence of events was quite illuminating!

Speaking of illumination, did you know that the human eye is most sensitive to a wavelength of 555 nanometers, which forms the center point of our visual perception? At other frequencies, more radiant intensity is required to achieve the same luminous intensity.

See how the colors are strongest in the middle of the color ramp and fade away as they approach the infrared and ultraviolet ends of the spectrum? 555 nm marks the midpoint.

555 Nanometers

The peak luminous intensity of sunlight also has a wavelength of 555 nanometers. This should be no surprise because our eyes evolved, or perhaps were designed to view the light of our particular Sun. The beauty of repeating 5’s harmonizing our visual perception, 5 symbolizing life, is not lost on me.

After reading a stimulating article Joe Dubs linked on Facebook entitled, “The Pythagorean Relationship Between Pi, e, and Phi” by Peter Felicetti, I realized I already knew the content, but I hadn’t considered the following geometry algebraically before. One can arrange Phi, Pi and e as an almost perfect Pythagorean triangle, but there is a tiny gap that I labeled “The Mystery” at the end of my article on Graham Hancock’s site.

This mystery is drawn to scale

When I saw it algebraically, a few more puzzle pieces fit together and it is no longer a mystery to me but a harmonious work of rational design from a very high level.

Tech note: I realize that some of my detailed graphics might be hard to see. I recommend pressing Command+ on the Mac or Ctrl+ on Windows several times to enlarge the content displayed in your browser. Use Command/Ctrl- to make it smaller later on.

The Quadrivium

The same gap that we hear between twelve just perfect fifths and seven octaves (known as the Cycle of Fifths or the Pythagorean comma), the relationship of transcendental constants arranged in a Pythagorean triangle, and the orbital mechanics of our planet are all related because we are living in a mathematical construct. This was known long ago.

“All is number.” -Pythagoras

The above image expresses the quadrivium: number, geometry, music, and astronomy. In other words, number in itself, number in space, number in time, and number in spacetime.

I knew the Solar Year also factors in the Earth’s equatorial circumference—the following equation was published by John Michell and Robin Heath in The Lost Science of Measuring the Earth. I made this illustration commemorating this important relationship, one that essentially defines the foot.

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Speaking of Michell and Heath, they were the authors who deciphered the 5:12:13 triangle and its connection with the lunar cycle. When I was researching extending the Pythagorean theorem into three dimensions, I came across a diagram connecting the 5:12:13 and 3:4:5 triangles. That, and studying Gary Osborn’s work, inspired me to put together this image showing how dynamics related to the Earth, Moon and Sun emerge from something as fundamental to geometry as the first two Pythagorean triples.

Number in space and spacetime

Earth’s orbital circumference has certain clear resonances with our measurement systems.

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Bringing together what I wrote about in Cubits, in my book Taking Measure: Explorations in Number, Architecture and Consciousness, and from my recent experience participating in Graham Hancock’s forums when I was author of the month, these pieces now fit together with greater clarity.

Circumferences

Michael Kuser wrote something on my wall that inspired the following image. The first part shows the combined diagonals of the cubes bounding Earth and Moon compared to their average distance from the Sun are proportioned as the foot is to the mile (99.3%).
Lawrence Edlund discovered that the average distance of the Earth to the Sun compared to the distance light travels in one revolution of the Earth around the Sun are proportioned as the inch is to the mile (99.9%).
I put two and two together and graphically show how our units of measure resonate with our local macrocosm.

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In “Rotations” you see more proof that our system is a product of base-10 design. The Moon’s orbital period with respect to the fixed stars is 27.3 Earth days. Earth actually rotates 366.3 times per year relative to the stars because the orbital motion of the Earth around the Sun causes roughly one additional rotation of the planet on its own axis. Here is what Knight and Butler had to say about this phenomenon in Before the Pyramids (p240), where they describe how the megalithic system is based on the division of a circle into 366 units:

“In a solar year the Sun rises 365 times but, during the same time, a star will have risen 366 times. It sounds odd but it’s true. Each day according to the rising of a star (a sidereal day), is 23 hours 56 minutes 4 seconds in length, whereas a mean solar day is 24 hours in length. That leaves a discrepancy of 236 seconds, which over the course of a year amounts to another 24 hours. It is part of the clockwork mechanism of our solar system that there are different sorts of years, dependent on what one is observing. Our megalithic and pre-megalithic ancestors in Britain focused on the number of times a star rose in a year, and the result was 366 times [366.3 with one more digit of accuracy].”

Rotations

Tonight I realized that the product of these rotations, 27.3 x 366.3 = 9999.99. What are the chances? I can’t begin to calculate the astronomical odds against such a numeric symmetry if our planet and its natural satellite were formed by random processes. Note that this product is independent of units and calculated solely on number of Earth rotations relative to our Moon and Sun.

Peter Plichta’s book God’s Secret Formula: Deciphering the Riddle of the Universe and the Prime Number Code taught me that 1/27.3 ≈ 0.03663 and 1/366.3 ≈ 0.00273, which you can easily verify with a calculator.

The ratio of the polar diameter of the Earth to the polar diameter of the Moon is 3.663 and vice-versa, the reciprocal ratio is 0.273 with more than 99.9% accuracy. This means the Earth and Moon system’s rotations and sizes are related in a reciprocal mathematical relationship.

Of course this is another example of what I have called “The Mystery of 273,” in this page out of Quantification.

The Mystery of 273 (update)

Is what we call “conscious thought” incredibly rare in the grand scheme of things, relegated as it is to 2-3mm of neocortex on the surface of our brains?
We and all other organisms on this planet live in a thin biospherical shell 2-3 miles thick. The Earth orbits the Sun in the sweet spot where oceans are kept liquid and the planet retains a transparent atmosphere so perfect for astronomy and our survival. A planetary magnetic field and ozone layer shields us from the charged particles continually pouring out of the Sun, along with many variables conductive to life being fortuitously fine-tuned.

Our system orbits the center of the Milky Way galaxy in another sweet spot, a circular band where products of stellar fusion such as elements heavier than helium are plentiful enough, but star formation isn’t still so active that we are bombarded out of existence. In this light, consciousness appears to be a gossamer membrane, a rare and exquisite miracle in all the cold vastness of space. This membrane/shell structure is another Body—House—Cosmos homology if you think about it.

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The following comparison highlights another possibility. The neuronal structures within our brains, roads (which evolved organically around Paris rather than through city planning as in much of North America), and the large-scale structure of the universe (simulated on the Max Planck supercomputer) all exhibit the same specific branching, filamentous pattern. Come to think of it, so too do mushroom mycelial mats, and maps of the entire Internet. What these disparate phenomena have in common is that they are all information processing networks.

Information

If we view Paris from the level of cars, then roads don’t seem to be self-aware. If we view the large-scale structure of the universe from the vantage point of supercomputer simulations computed on Earth, it doesn’t seem self-aware. If we were able to view a neural structure from the point of view of electrons it probably wouldn’t seem self aware to them either, just a kind of electrical network.

However, when we use our own neural structure to introspect, then awareness is self-evident. It’s really a question of which way you are looking. If the universe looked inward, then it presumably would be self-evident that it is self-aware, including all its in-formation including suns, planets, cities, roads, people, neurons, electrons, etc.

The amazing thing is we experience this same self-awareness at our level. We are a microcosm of larger wholes and have microcosms within. Perhaps cells are also self-aware, coordinating the activities at their tiny scale. The organism of which they are a part wouldn’t seem to be self-aware to them at all. Talk about all that would seem like mere philosophy.

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This is yet another example of the Body—House—Cosmos homology. The human built environment accessed by roads, our “House,” is a macrocosm of the neurons in our Body, and the large-scale Cosmos is a macrocosm of our House. It is the same form, harmonizing and coordinating information at vastly different scales.

The universe itself looks like it might literally be “the mind of God,” a self-aware matrix in the process of creating complex in-formation. Awareness is not rare, but the ground of being. There has only ever been, is, or ever will be awareness being aware of itself.

That said, our limited form of consciousness might be rare and in a way, precious. We occupy the privileged position of being right in the middle of it all.

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However, our awareness doesn’t require human minds anymore than the Sun requires a candle for illumination.

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Everything is sacred, everything is precious.

Source: http://www.secretsinplainsight.com/2015/02/12/macrocosmic-harmony/